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Then there are songs like "One Of These Days" note which has a long instrumental buildup, followed by a single spoken line (one of the few "vocalist" credits for drummer Nick Mason), followed by a long instrumental outro, " Careful with That Axe, Eugene" note similar, but with a lot more screaming, and "Absolutely Curtains" note also similar, with the full vocals being an "AH-ahh" by the whole band (there is also some tribal chanting at the very end). Some other Pink Floyd songs do this to a lesser extent (such as " Time" and "Echoes").

Pink Floyd's "Shine On You Crazy Diamond" has about 8 minutes of music before there are any vocals.

"Zia Intro" is the, well, intro to "Zia" on Thousand Days' Thousand Days.

"I Robot" from I, Robot is a robotic sound that slowly fades in and then gets backed by an Ethereal Choir.

The most notable of these instrumentals would have to be "Sirius", the lead-in to "Eye in the Sky" a song instantly recognizable by any and all Chicago Bulls fans.

Many Alan Parsons Project albums open with an instrumental that segues into the first song.

#Drama left right instrumental movie

The 2002 version of "Whisper" has a 1-and-a-half minute long intro from the Romeo and Juliet movie before the song proper.The first 60 seconds have an entirely different composition, with a slower tempo, before jumping to what's more obviously the preamble to the regular song, which goes for around 15 seconds before vocals begin. Evanescence's "Good Enough", from The Open Door, features an instrumental segment on the front of the song.The second one is part of the opening track to the four-song "Concerto for a Rainy Day" suite, starting with "Standin' in the Rain" (again integrated into the first two minutes of the song itself).First is "Believe Me Now", which leads into "Steppin' Out"."Ocean Breakup / King of the Universe" does the same yet again.Ditto with "Secret Messages," from the album of the same title."Tightrope" from A New World Record is similar to The Who example above, in that the instrumental is actually the first minute of the track.Also a potential source of terror (at least for the first minute or so).

Also "Won't Get Fooled Again" from the same album. The synth riff from The Who's "Baba O'Riley".Similarly, "Fly Like an Eagle" has the separately-titled "Space Intro" using synthesizers.Steve Miller Band's "Jet Airliner" is preceded by a synth instrumental titled "Threshold".Interestingly, this is the third track on the album, not the intro. Boston's "Long Time" is preceded by a track called "Foreplay"." Return of the Stingray Guitar " is this for the U2 360° tour."Where the Streets Have No Name" by U2, which also opens The Joshua Tree album.Played with by Typhoon: "Prelude", the first song on White Lighter, is instrumental but just eighteen seconds long.Since this song isn't very long, there isn't much time left for actual lyrics. In a similar vein, about half of "Theme from Shaft" by Isaac Hayes is the instrumental opening."Papa Was a Rollin' Stone" by The Temptations has a nearly 4-minute-long instrumental opening.His cover of "Jingo" has an impressive buildup as well, particularly live, of at least a couple minutes before the vocals start.

#Drama left right instrumental mac

In contrast, the original by Fleetwood Mac opens with a single distorted guitar chord before the vocals begin.

Santana's cover of "Black Magic Woman" from Abraxas had a very long opening.